Bach Bibliography Search Result - Ordered Chronologically

Author : Marissen, Michael
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Marissen, Michael:   A Trio in C major for recorder, violin and continuo by J. S. Bach? EarlyM 13/3 (Aug 1985), 384-390. [BWV 1032]
	2.	Marissen, Michael:   Bach-Repertoire für Flötisten. Tibia 12/3 (1987), 537-540. Noten
	3.	Marissen, Michael:   A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. JMcol 6/3 (Summer 1988), 367-386. [BWV 1032]
	4.	Marissen, Michael:   Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_Austin (Oct 1989) A paper read at the 55th Annual Meeting of the AMS and the 12th Annual Meeting of the Society for Music Theory, 26-29 October 1989 in Austin, Texas.
	5.	Marissen, Michael:   Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_MidAtlantic (Oct 1989) A paper read at the Mid-Atlantic Chapter meeting of the American Musicological Society on 21 October 1989.
	6.	Marissen, Michael:   Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. MLetters 71/4 (Nov 1990), 494-504.
	7.	Marissen, Michael:   Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. BeitrBachF 9-10 (1991), 104-128.
	8.	Marissen, Michael Anthony:   Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. diss. (1991), vii, 251p. PhD diss., Walthan, MA: Brandeis University, 1991. vii, 251p.
	9.	Marissen, Michael:   Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. JAmerMInstrSoc 17 (1991), 5-52.
	10.	Marissen, Michael:   On Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23/2 (Fall-Winter 1992), 31-46. [BWV 208, 1046a]
	11.	Marissen, Michael:   J. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ 77/2 (Summer 1993), 193-235.
	12.	Marissen, Michael:   Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ 77/4 (Winter 1993), 718-726. Music and Culture.
	13.	Marissen, Michael:   More Source-Critical Research on J. S. Bach's Musical Offering. Bach 25/1 (Spring-Summer 1994), 11-27.
	14.	Marissen, Michael:   The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton Univ. Press, 1995. 160p. - 2/1999. 150p. ISBN: 0-691-00686-5.
	15.	Marissen, Michael:   Concerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 (1995), 79-101.
	16.	Marissen, Michael:   The theological character of J. S. Bach's Musical Offering. BachStud 2 (1995), 85-106.
	17.	Marissen, Michael:   Bach and Recorders in G. GalpinSocJ 48 (Mar 1995), 199-204.
	18.	Marissen, Michael:   Lutheranism, Anti-Judaism, and Bach's St. John Passion. [p]AMS_MidAtlantic (Oct 1995) A paper read at the Mid-Atlantic Chapter of the American Musicological Society on 7 October 1995 at Swarthmore College.
	19.	Marissen, Michael:   Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. [p]AMS_MidAtlantic (Apr 1995) A paper read at the Mid-Atlantic Chapter meeting of the American Musicological Society on 1 April 1995 at West Chester University.
	20.	Marissen, Michael:   Penzel Manuscripts of Bach Concertos. DortmundBachF 1 (1997), 77-87.
	21.	Marissen, Michael:   The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. [p]IATB_Chicago (Sep 1997) 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.'
	22.	Marissen, Michael:   Lutheranism, Anti-Judaism, and Bach's St. John Passion. With an annotated literal translation of the libretto. New York: Oxford University Press, 1998. 127p.
	23.	Melamed, Daniel R.; Marissen, Michael:   An introduction to Bach Studies. New York and Oxford: Oxford University Press, 1998. xi, 189p.
	24.	Marissen, Michael (ed.):   Creative Responses to Bach from Mozart to Hindemith. Edited by Michael Marissen. - Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. (= Bach Perspectives, 3) [contents]
	25.	Marissen, Michael:   Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. [p]BS_Dortmund (Jan 1998) Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.
	26.	Marissen, Michael:   Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. DortmundBachF 2 (1999), 291-301. [BWV 1047/1, 1079]
	27.	Marissen, Michael:   Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. [p]IATB_Logumkloster (Oct 1999) Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark.
	28.	Marissen, Michael:   Bach. Brandenburg Kyosokyoku. BCJ 42 (May 2000), 8-19. [Bach. Brandenburg Concertos.] Trans. Tadashi Watanabe.
	29.	Marissen, Michael:   Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. BCJ 42 (May 2000), 28-33. [Reproduced from Oxford Composer Companions: J. S. Bach, ed. Malcolm Boyd, 1999, pp.68-73)
	30.	Marissen, Michael:   Perspectives on the 'St. John Passion' and the Jews. NYTimes (2 Apr 2000)
	31.	Marissen, Michael:   Biblical solutions to Certain Problems in Bach Biography. [p]IBS_Utrecht (Sep 2000) Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000.
	32.	Marissen, Michael:   On the Musically Theological in J. S. Bach's Church Cantatas. LutherQ 16/1 (2002), 48-64.
	33.	Marissen, Michael:   Bach and Josephus on the destruction of Jerusalem. [p]ABS_Houston (Apr 2002) A paper read at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.'
	34.	Marissen, Michael:   Bach, Luther, and Josephus on the Destruction of Jerusalem. [p]IATB_Eisenach (Mar 2002) Paper read at the Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung e.V. 14.-17. März 2002 in Verbindung mit der Evang.-Luth. Kirchgemeinde Eisenach, der Gesellschaft
	35.	Marissen, Michael:   The Character and Sources of the Anti-Judaism in Bach's Cantata 46. HarvardTheolReview 96/1 (2003), 63-99.
	36.	Marissen, Michael:   Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. [p]WAfB_Wolfenbüttel (Apr 2003) Passion, Affekt und Leidenschaft in der Frühen Neuzeit. 11. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung in der Herzog August Bibliothek Wolfenbüttel vom 2. bis 5. April 2003
	37.	Marissen, Michael:   Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 (2004), 85-94. Chapter 4.
	38.	Marissen, Michael:   Blood, People, and Crowds in Matthew, Luther, and Bach. LutherQ 19/1 (2005), 1-22.
	39.	Marissen, Michael:   New Theological Research on Bach's Church Cantatas and Oratorios. [p]IMS_Middelburg (Mar 2005) A paper read at the International Music Symposium 'Recent Research in Baroque Music' held at Roosevelt Academy (Holland) on 22 March 2005.
	40.	Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph:   Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR (Nov 2005) Lecture given at 'Bach and Mendel': A Special Symposium in Celebration of the Centenary of Professor Arthur Mendel and the Sixtieth Anniversary of The Bach Reader, Saturday, November 19, 2005 at the Princeton University.
	41.	Marissen, Michael:   Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. BCJ 76 (Apr 2007), 9-40. [Text commentary by Michael Marissen trans. Kazuhiro Fujiwara].
	42.	Marissen, Michael:   Bach's St. John Passion and the Jews. Colloquium 4 (Autumn 2007), 141-143. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/marissen1.html
	43.	Marissen, Michael:   Historically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 (2007), 103-120.
	44.	Marissen, Michael:   Bach's Oratorios: The Parallel German-English Texts with Annotations. New York: Oxford University Press, 2008. 208p. ISBN13: 9780195367171; ISBN10: 0195367170
	45.	Marissen, Michael:   J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. [p]BICB_Salzburg (Jul 2014) A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. [BWV 42, 44]
	46.	Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina:   Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge (Jul 2015) A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.
	47.	Marissen, Michael:   Bach & God. New York: Oxford University Press, 2016. xxi, 257p. ISBN: 978-0-19-060695-4.
	48.	Marissen, Michael:   In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016). BachNotesABS 25 (Fall 2016), 7.
	49.	Marissen, Michael:   Religious Meaning and Bach Performance. [p]ABS_SouthBend (Apr 2016) A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.
	50.	Marissen, Michael; Varwig, Bettina; Begbie, Jeremy:   Bach and God. [p]BNUK_Cambridge (Jul 2017) A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017.